"In Canada, you don't really see a creative agency where everyone is literally from a different country," says Jamal Burger, co-founder of the Toronto-based Tier Zero creative agency. "Coming to Canada as a minority, how that affects our thought process creatively, and with no prior business experience – we are trying to do the same thing our parents did for us. Trying to figure it out."
Originally working as independent creatives armed with the most affordable equipment at the time – including the Canon EOS 600D (now succeeded by the Canon EOS 850D) and the Canon EF 50mm f/1.8 STM – friends Jamal, Charlie Lindsay and Due Pinlac joined forces as Tier Zero after their individual commissions began to gather momentum and project requirements grew.
FILMMAKING
Daring to be different: Tier Zero and the EOS R5 C
Their first full production as a collective was for Canon Canada's Creator Class, where they took the Canon EOS-1D X Mark III across India to New Delhi, Agra and Varanasi. "Creator Class solidified our intention of storytelling from a humane standpoint, travelling with ethics, not just going somewhere as tourists and voyeurs," says Jamal of the project, which remains one of the team's favourites.
More recently, Tier Zero filmed a campaign on the Canon EOS R5 C. We spoke to them to find out more.
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Past, present and future
'We'll figure it out!' is a Tier Zero philosophy that keeps coming up in conversation. It's central to this young and growing agency – even though they don't know everything, they remember where they came from, they take it forward and they grow together.
"Everyone in our team started with a Canon – I started with a Canon EOS 600D," recalls Due, Tier Zero's creative director. "It was accessible from a price standpoint, but also produced great quality images, even for a starter. You get the 600D, the nifty fifty [Canon EF 50mm f/1.8 STM] and you're like, 'Wow, I can do depth of field, I can get it sharp like my colleagues do.' It was a starter pack that really gave you confidence to produce creative work, and prompted you to go out and shoot, even if you didn't have a client or project in mind."
From the EOS 600D, the crew stepped up to a Canon EOS 5D Mark III (now succeeded by the Canon EOS 5D Mark IV), and then the Canon EOS-1D X Mark III. It's this history with Canon DSLRs that made the team's transition to the mirrorless Canon EOS R5 C for upcoming projects such an easy one, while also giving them the opportunity to take advantage of the camera's additional video production capabilities.
Tier Zero and the EOS R5 C
Camera gear has come a long way since the team were shooting independently with "DSLRs that happened to do video" as Due dubs them. This is why Tier Zero are genuinely excited about the Canon EOS R5 C.
Now a collective with bigger clients who demand both video and photography, the team has found that a hybrid mirrorless camera such as the EOS R5 C makes the seamless switch between media so much easier. Moving up to 8K video with unlimited record times and 45MP photos is a huge leap forward tech-wise, but crucially the EOS R5 C shares the same ergonomics as the DSLRs that the team is used to working with. "The EOS R5 C allowed us to go back to our roots – having a small camera and really experimenting," says Due.
"One of the main things that appealed to us was the flexibility of the camera. It really mirrored our workflow," adds Charlie. "Convenience-wise, it's not too bulky – you can travel with it and it's flexible on set. Photos-wise, the images are so crisp."
"The EOS R5 C is such a small and compact camera," Trae continues, "but its capabilities go a long way." Trae has used the camera to shoot cooking videos in small kitchens and says features such as the flip screen have been a huge help. "I do a lot of bird's-eye views, going quickly from photo to video, all when my hands are full and with food on them – the EOS R5 C handles it all and has been very easy to work with," she explains.
Another on-set strength of the camera was its Dual Pixel CMOS autofocusing power. "We could trust the internal autofocus," enthuses Due. "Normally, we would have a focus puller, but from the initial 'We Are Tier Zero' shot, where we make fun of ourselves, to the whip pans, we were impressed with how quick and sharp the focus was every time."
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